‘The Dark Crystal’ Prequel Is ‘Game of Thrones’ With Puppets

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Netflix lately launched The Dark Crystal: Age of Resistance, a 10-episode prequel to Jim Henson’s basic 1982 characteristic movie The Dark Crystal. Horror creator Christopher M. Cevasco was impressed by the present’s visuals, which rely closely on puppets and different sensible results.

“There are moments, like within the Fellowship of the Ring film, or motion pictures like that, the place you might have these moments the place you gasp since you’re astounded by one thing on the display,” Cevasco says in Episode 379 of the Geek’s Guide to the Galaxy podcast. “And I feel like I was gasping from beginning to end of every one of these episodes. It was just constantly pushing my ‘sense of wonder’ button six times in every scene.”

Geek’s Guide to the Galaxy host David Barr Kirtley additionally beloved Age of Resistance, significantly its give attention to politics.

“The factor that shocked me probably the most was how a lot this jogged my memory of Game of Thrones,” he says. “There’s political intrigue, surprising deaths, backstabbing. I really feel like this present would by no means have arrived in its present kind with out the affect of Game of Thrones.”

Fantasy creator Erin Lindsey agrees that Game of Thrones was a significant affect on Age of Resistance. “Game of Thrones didn’t invent political machinations,” she says, “however I do suppose that there must be some degree at which that present knowledgeable this present. It doesn’t strike me as a coincidence that so many Game of Thrones actors had been solid on this present. So there’s positively a sure diploma of that sensibility right here.”

While Age of Resistance is profitable total, there are moments when the present’s ethical ambiguity meshes awkwardly with the unique movie’s archetypal heroes and villains. Science fiction creator Chandler Klang Smith felt this was significantly true of the character Seladon, who maintains an inexplicable loyalty to the present’s cartoonish villains the Skeksis.

“It was hard to understand what kind of rationale she had in her mind for her actions,” Smith says. “So there were things like that where I thought the original source material wasn’t really strong enough to support all the stuff that the show was trying to spin.”

Listen to the whole interview with Christopher M. Cevasco, Erin Lindsey, and Chandler Klang Smith in Episode 379 of Geek’s Guide to the Galaxy (above). And take a look at some highlights from the dialogue beneath.

David Barr Kirtley on The Dark Crystal:

“I’ve to admit that I had by no means truly watched The Dark Crystal earlier than doing this panel, and I assume that is pretty much as good a time as any to say my morbid concern of Muppets. Muppets severely freaked me out as a child. One time my mother gave me this Muppet-like puppet that my aunt had purchased for me. I didn’t wish to admit that I used to be afraid of it, but it surely was on this field in my closet, and I’d have hassle sleeping at evening simply fascinated by that factor with its big eyes, there within the darkness, looking at me by means of the closet door. I don’t know if that’s why I didn’t watch The Dark Crystal. I wasn’t boycotting it or something, but it surely was simply a type of motion pictures that everyone else watched, and I by no means did.”

Chandler Klang Smith on heroes and villains:

“It positively does appear apparent that the Skeksis are the dangerous guys and the Mystics are light and lovable, however there’s additionally this concept that the Mystics are described as being misplaced in a mist of forgetfulness. They’re actually linked to nature, however virtually to the purpose of not having obvious company. … [Whereas] the Skeksis are stuffed with avarice and gluttony, and all of those destructive traits, however they’re additionally energized, and so they’re actually compelled by this quest for scientific information at any price, which is definitely—within the ethical universe of the movie—horrible. But I feel that there was one thing attention-grabbing, for me as a child, in the concept that there may be one thing within the evil a part of an individual that provides them animation and life, that’s essential for them to be complete, and that there’s one thing in pure goodness and passivity that’s missing.”

Christopher M. Cevasco on Age of Resistance:

“I wasn’t 100 p.c happy with how they linked all of the dots from the place we finish as much as the place we open within the Dark Crystal film. There are nonetheless some unanswered questions, I feel. But on the identical time, the hazard is that the nearer you get to the film, the extra not possible it’s going to be to have any type of fulfilling ending, as a result of it’s going to have to finish with actually each character we all know being slaughtered—excluding a few them, like Aughra. And that will be an extremely miserable strategy to finish a collection, however I type of really feel like they’ve positively planted the seeds for [Season 2]. And I feel I’d be down for an additional season of it. I don’t know. I assume it depends upon what they do with it, clearly.”

Erin Lindsey on Aughra:

“Aughra is one of my favorite characters in anything of all time, but I didn’t love Aughra in this. I loved the performance of Aughra, because she was so true to the original in terms of the voice and the physicality of the puppet and everything, but it was hard to reconcile her with Aughra as she appears in the movie. It’s like maybe Aughra has done a lot of acid and gotten considerably older in the intervening period, which is possible. … But she has a degree of perceptiveness and organization about her that the scatterbrained Aughra of later incarnation—which is also the earlier incarnation—doesn’t have, and I missed that humor of Aughra where you’re not totally sure how plugged in this woman really is.”


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